![]() ![]() Once you define a specific area, you can cover, blur, highlight, color-correct, apply effects, and blend however you want. Masking allows you to select the area in the video clip that you want to edit. In this article, we’re going to concentrate on Premiere Pro. Different platforms work better for different people, usually depending on your primary role and how you like to work. That means results that are unique, stunning, and appealing - all at once.Įvery video editor has their NLE of choice - and for good reason. For instance, you can introduce cinema-grade effects in your footage using Premiere Pro templates. ![]() If you’re new to masking, or just looking to brush up on the basics, masking allows you to edit different aspects of a single shot independently. But what about the nitty gritty? Shouldn’t we learn to mask before we learn to fly? Video editors, are constantly learning new tricks to stay in the game - the internet is awash in tutorials touting these very techniques. Here’s how to get started masking in Adobe Premiere Pro. If you are new to shooting video on your DSLR and are looking for tools that will bring a little more production value and cinematic feel to your final edit, I couldn’t recommend investing in FilmConvert license any more.Masking allows editors to work on multiple aspects of a single shot. The great thing I have found with FilmConvert is that as you become more confident with your grade, you can dial down the effects of the plug-in and add your own feel to the grade, rather than it just being off or on. I am now a full time videographer and still use FilmConvert, especially on time-sensitive projects like the videos we recently cut for a live music YouTube channel, “ The Broom Cupboard Sessions,” (feel free to subscribe). But after a year or so, I licensed the software and felt silly for not doing it in the first place as it would have saved me a lot of time with early projects when trying to grade for a cinematic look. ![]() FilmConvert also appreciates flat footage, so if your camera has a "Log" profile, then use it if you expect to apply a FilmConvert preset in post.įrom my personal experience, I knew of FilmConvert from early on when starting out with my first few video edits, but decided that the $149 investment was too steep when I was already subscribing to Premiere Pro, which included its own color-grading suite. That being said, the higher the data rate you shoot at, the better FilmConvert can do its job, so always make sure you are shooting using your highest Mbps. The benefits of using the FilmConvert grading suite instead of the Lumetri Color Suite in Premiere Pro, for example, is that the former’s suite is designed to manage the LUT you have just applied to your footage and will better control the color without causing the footage to fall apart. Once you have chosen your required film stock, you can then use the built-in color grading suite that comes with FilmConvert to adjust tonality or color. By digitally replicating this, you can give your footage a textured feel and distinctive color profile that is common with film stock as opposed to the clean and saturated look that digital video typically adopts.įor beginners in editing and grading film, I cannot think of a better and more reliable tool set to add a cinematic feel to your native footage before understanding the limitations of color grading footage with limited data rates. The film look recently became very popular in Hollywood with Quentin Tarantino and Christopher Nolan being advocates for the character that shooting on film brings. FilmConvert then crunches the numbers and applies look-up tables (LUTs) to manipulate the color of your footage to best match that of the desired style. It manipulates color to replicate a selection of popular film stocks based on the camera and color profile setting with which the original footage was captured. FilmConvert is a plug-in that is compatible with all major non-linear editors (NLEs) such as Adobe Premiere Pro or Final Cut Pro X. ![]()
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